Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Titian
Averoldi Polyptych

ID: 94745

Titian Averoldi Polyptych
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Titian Averoldi Polyptych


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Titian

Italian High Renaissance Painter, ca.1485-1576 Italian painter active in Venice. As a young man he was taught by the Bellini family and worked closely with Giorgione. His early works are so similar in style to Giorgione's as to be indistinguishable, but soon after Giorgione's early death Titian established himself as the leading painter of the Republic of Venice. Among his most important religious paintings is the revolutionary and monumental Assumption (1516 ?C 18) for Santa Maria dei Frari, in which the Virgin ascends to heaven in a blaze of colour accompanied by a semicircle of angels. Titian was also interested in mythological themes, and his many depictions of Venus display his work's sheer beauty and inherent eroticism. Bacchus and Ariadne (1520 ?C 23), with its pagan abandon, is one of the greatest works of Renaissance art. Titian was sought after for his psychologically penetrating portraits, which include portrayals of leading Italian aristocrats, religious figures, and Emperor Charles V. He reached the height of his powers in The Rape of Europa (c. 1559 ?C 62), one of several paintings done for Philip II of Spain. He was recognized as supremely gifted in his lifetime, and his reputation has never declined.  Related Paintings of Titian :. | Madonna in Glory with the Christ Child and Sts Francis and Alvise with the Donor | St Augustine | Portrat der Laura de Dianti | Portrat des Vicenzo Mosti | Allegory of Time Governed by Prudence |
Related Artists:
Aved, Jacques-Andre-Joseph
French Painter, 1702-1766
Anna Althea Hills
1882-1930
Antonio Bellucci
Antonio Bellucci (1654-1726) was an Italian painter of the Rococo period, who was best known for his work in England, Germany, and Austria. He was one of the many Venetian-trained artists of his time, including Ricci, Tiepolo, Amigoni, and others, who sought commissions north of Italy, providing patrons with the then-popular Italianate grand-manner frescoes for private palaces.






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